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    almost sequence by sequence, in the same way.

    and more...

    *****Antihero's Legend*****

    The antihero’s legend will have travelled before him and symbols of his nature will be visible – scars or actions of his past. These will reveal the antihero as a dangerous being and explanations will be elicited.

    The antihero’s loyal ally will be lacking on so

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    The Hero's Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.

    Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Antihero's Legend*****

    The antihero’s legend will have travelled before him and symbols of his nature will be visible – scars or actions of his past. These will reveal the antihero as a dangerous being and explanations will be elicited.

    The antihero’s loyal ally will be lacking on som

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    master if you are to succeed in the craft.

    [The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].

    THERE IS ONLY ONE STORY

    THE HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Antihero's Legend*****

    The antihero’s legend will have travelled before him and symbols of his nature will be visible – scars or actions of his past. These will reveal the antihero as a dangerous being and explanations will be elicited.

    The antihero’s loyal ally will be lacking on so

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    HERO'S JOURNEY:

    a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.

    b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.

    c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Antihero's Legend*****

    The antihero’s legend will have travelled before him and symbols of his nature will be visible – scars or actions of his past. These will reveal the antihero as a dangerous being and explanations will be elicited.

    The antihero’s loyal ally will be lacking on so

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    s, of which there are usually four).

    d) Gives you a universal structural template upon which you can superimpose your situational story. This is why stories such as Alien (1979), Gladiator (2000), Midnight Cowboy (1969), American Beauty (1999), The Graduate (1967) and many others (all deconstructed at the URL below) appear to be different but are all constructed, almost sequence by sequence, in the same way.

    and more...

    *****Antihero's Legend*****

    The antihero’s legend will have travelled before him and symbols of his nature will be visible – scars or actions of his past. These will reveal the antihero as a dangerous being and explanations will be elicited.

    The antihero’s loyal ally will be lacking on so

    Free Mortgage Loan Loads
    Some lead generators, in order to boost their business, may initially provide free leads to mortgage companies. They would require the mortgage company to get contracted with them later. Sometimes some companies provide free leads in the beginning o
    almost sequence by sequence, in the same way.

    and more...

    *****Antihero's Legend*****

    The antihero’s legend will have travelled before him and symbols of his nature will be visible – scars or actions of his past. These will reveal the antihero as a dangerous being and explanations will be elicited.

    The antihero’s loyal ally will be lacking on some level. It is the antihero who will lead the loyal ally in some regard – usually he is of higher intelligence and superior capability.

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